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Opera as Soundtrack string theory challenges readers to critically examine

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challenges readers to critically examine how certain knowledge comes to be “official

and the mechanisms of

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Opera as Soundtrack string theory challenges readers to critically examineFilmmakers' fascination with opera dates back to the silent era but it was not until the late 1980s that critical enquiries into the intersection of opera and cinema began to emerge. Jeongwon Joe focusses primarily on the role of opera as soundtrack by exploring the distinct effects opera produces in film, effects which differ from other types of soundtrack music, such as jazz or symphony. These effects are examined from three perspectives: peculiar

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