Spring 1984 Mary McFadden Dusky Pink & Gold Pleated Juliet Sleeve Dress designer-emilio-pucci They sit atop the skirt

They sit atop the skirt and have a rounded puffed

Waist: 13-15" flat across from side seam to side seam

I love that the inner skirt is finished at its hem with a silk piping of the same fabric as the exterior

This dress is clearly from that first collection and those very first prints designed by Rhodes

Note the pink in person is richer and deeper

Spring 1984 Mary McFadden Dusky Pink & Gold Pleated Juliet Sleeve Dress designer-emilio-pucci They sit atop the skirtThis dramatic and full sleeve dress by Mary McFadden has a definitive Elizabethan feel to it. The Juliet sleeves are full and exaggerated to the extreme and give the dress its main focal point. A wide metallic gold panel runs down the upper part of each arm and acts as a touch of support to the fullness that runs from the shoulder to the elbow. There is inner built in structure inside each sleeve to help hold the shape. Beneath that, the sleeves